|[[Image:|Template:Minpx|The Bends cover]]|
|Template:Infobox album/link by Radiohead|
|Released||13 March 1995|
|Recorded|| 1992–1993 ("High and Dry")|
August – November 1994 at Abbey Road Studios, RAK Studios, London and The Manor, Oxfordshire
The Bends is the second studio album by the English alternative rock band Radiohead, released on 13 March 1995 by Parlophone in the United Kingdom, and by Capitol in the United States. John Leckie produced the album at EMI's studios in London, and Nigel Godrich engineered it, who would produce all future albums by the band. Featuring five charting singles, the album also marked the beginning of a shift in style and themes for the band, with greater use of keyboards, and more abrasive guitar tracks balancing softer ones. The introspective grunge-influenced style of Pablo Honey evolved toward more multi-layered rock with cryptic lyrics and bigger ideas, as the band and singer Thom Yorke reacted against the rigors of near-constant world tours.
My Iron Lung was released as an extended play and later, "High and Dry" was released as a double A-side single with "Planet Telex". "Fake Plastic Trees" was released as the second single, with "Just" as the album's third one. "Street Spirit (Fade Out)", the final single and last song on the album, was their first top five UK hit.
The album was a much greater critical success than their debut album, Pablo Honey, receiving an enthusiastic critical reaction, and it reached number four in the UK Albums Chart. However, it did fail to build on the commercial success of their single "Creep" outside the United Kingdom, and it only reached 88 on the American charts. Although it did lack the instant success of later Radiohead albums, The Bends achieved triple platinum sales certifications in the UK and Canada and platinum sales in the United States and the European Union. In the years since its release, the album has appeared countless times in listener polls and critics' lists of best albums of all time.
By the time Radiohead had begun their first US tour in early 1993, their first single "Creep" was in heavy rotation on MTV and had achieved top ten chart positions in the UK and the US when rereleased in 1993. The grunge sound of their first album Pablo Honey led to the band being described as "Nirvana-lite", and neither the album nor the singles "Stop Whispering" and "Anyone Can Play Guitar" had ever cam close to the chart success of "Creep".
Radiohead almost broke up because of the pressure of sudden success as the tour had extended into its second year. The band described the tour as a terrible experience, as towards its end they were "still playing the same songs that [they had] recorded two years previously... almost like being held in a time warp." Tensions were high, as the band felt smothered by both the success of "Creep" and the large expectations for an even better follow-up. The band had looked for a change of scenery, touring Australasia and the Far East in an attempt to reduce the pressure. However, confronted again by their sudden popularity, Yorke became disenchanted at being "right at the sharp end of the sexy, sassy, MTV eye-candy lifestyle" he felt helped sell to the world. The 1994 EP My Iron Lung, featuring the single of the same title, was Radiohead's reaction, marking a transition towards the larger depth they aimed for on their follow-up. The late comedian Bill Hicks was whom this album was dedicated to.
At the beginning of 1994, Radiohead began working on song arrangements for The Bends. They were encouraged by both the new material and their producer of choice, John Leckie, who had agreed to work with them on their new album. Sessions were scheduled to begin at London's RAK Studio in January; however, fellow Oxford band Ride asked Leckie to perform some last-minute work on their latest album Carnival of Light. Radiohead agreed to postpone the start of the album's sessions to 24 February to help Leckie. The band used the advantage of having extra time to practice their songs, but this later proved unsatisfactory to them – Yorke said, "We had all of these songs and we really liked them, but we knew them almost too well . . . so we had to sort of learn to like them again before we could record them, which is odd."
The band found the first two months of work on the album very hard. While they were pleased with Leckie and engineer Nigel Godrich, they felt too pressured to follow up the success of their last album Pablo Honey. The band's record label, EMI, had set an October 1994 release date for the album, which later proved impossible. EMI also suggested Radiohead should record the record's lead single first. No one could agree on what the lead single should be, so the band worked on four tracks they had considered candidates: "Sulk", "The Bends", "Just", and "(Nice Dream)". The newer approach proved counter-productive; Leckie recalled, "Everyone was pulling their hair out saying, 'It's not good enough!' [. . .] We were trying too hard". The recording process slowed down further as guitarist Jonny Greenwood experimented with several rented guitars and amplifiers in order to find "a really special sound" for his instrument, despite Leckie's belief that Greenwood already had a good one. According to Leckie, whenever a record company representative or the group's management came to check in on the record's progress, all of the band would have to show them "a drum sound or something".
In an attempt to stop tensions between Yorke and the rest of the band, which had begun over whether or not they should take a break from the sessions that April, Leckie suggested to Yorke that he record some of the new songs by himself on guitar. The group had a tour planned for May until mid-June, which meant that the album would not be finished by October as planned. By the end of the sessions at RAK, Radiohead had recorded a handful of songs that would appear on the record, as well as most of the tracks that would appear on My Iron Lung extended play (EP). They continued recording on 16 June at businessman Richard Branson's rural studio complex the Manor. Unlike the sessions at RAK, the group recorded material very fast; Leckie felt the break for the tour gave the band "confidence" in the songs again. The band finished recording the album at Abbey Road Studios in London, where Leckie also mixed some of the new songs.
Because of the poor commercial performance of the My Iron Lung EP, EMI decided Pablo Honey producers Sean Slade and Paul Q. Kolderie would remix the album in the United States. Leckie did not realize that was happening until EMI asked him for copies of the multi-track tapes. Leckie stated EMI "had been going on about trying to get an American sound for the record from the minute I got involved". Kolderie insisted he and Slade did not lobby to remix the album, but EMI made the decision and the band also supported it after hearing Pablo Honey being played over a sound system during an in-store appearance. Leckie did not always like what Slade and Kolderie produced, but he has stated that it was a sound decision to have others approach the music with a new approach.
All tracks written, composed and performed by Radiohead.